Special thanks to Fareed Haque for the permission to upload the mixdown of this show.
3 Source post mix:
Source 1: SBD -> Sony D8 -> Sony PCM-R300 (playback) -> coax -> HHb830 -> flac* -> LMA download: http://www.archive.org/details/gm2006-01-07.sbd.flac -> xACT v1.58 (CD extraction as one file per set) -> AudioDesk 2.04 (import)
*Taped and Transferred by Kenny Shook
Source 2: JW Mod. AKG 461s (ORTF, ~36" high, stage lip. DFC) -> Sound Devices MP-2 > Oade Mod. SBM-1 -> Hosa ODL 276 -> JB3 @ 16bit/44.1kHz -> Firewire > CdWave (tracking) > FLAC Forntend Level 6 -> untracked CD-Rs** -> xACT v1.58 (CD extraction) -> Audio Desk 2.04 (import)
**Taped and Transferred by Mikey Jones
Source 3: AKG C 451 B/ST (~ 20' Separation, left mic clamped to utility pole 2' below ceiling above stage lip & pointed down at guitar amp, right mic ~ 6' high on stage lip pointed at keys amps) -> Edirol UA-5 (Oade Bros. P-Mod.) -> MDAT (Sony PCM-M1: record, Sony PCM-R500: playback) -> Tascam CD-RW750 (via s/pdif, auto-resample to 44.1khz) -> MCD-R -> xACT v1.58 (CD extraction as one file per set) -> AudioDesk 2.04 (import)
Taped and transferred by James Bartoli
Post-mix in AudioDesk 2.04: align tracks and time-scale Source 1 & 2 to Source 3***, set 3 stereo track mix; Bounce to Disc w/ plug-ins on master fader: Dynamics v3.0.2 (light compression); Trim (normalize)); split tracks) -> .aiff -> xACT v1.58 -> FLAC (level 8)
***Source 3 was used as the master timeline because the Sony PCM-M1 seemed by reason to have the best clock between the three recording devices.
Mixed, mastered, and FLAC'd by James Bartoli